Long shot: a single lens has been taken for a long time, without switching footage shot. The long-shot technique is often used to express the specific conception and aesthetic taste of the director, such as deliberately capturing the atmosphere of the scene in a large range at that time, the continuous description of the inner turning point of the actors in the literary scene, and the real kung fu of the fighting scenes.
Film editing means that a large number of materials shot in the Film production, after selection, selection, decomposition and grouping, finally complete a coherent and fluent, clear meaning, clear theme and artistic appeal of the work.
Eyeline: Displays the position of the object relative to the object that he is looking at. Build a scene based on your eyes, based on your actions.
180 Degree Rule: There is an invisible axis between two characters. Do not cross the axis.
Main shot: This shows the scene and the position of each person. Then interspersed with close-ups to show the important details.
Discontinuous clip. Jumping from one scene to another in a movie is called crosscutting. The film jumps between two lines of action to show that they are happening simultaneously in time and space. The advantage is to deliberately break the continuity of the clip.
Overlay: A piece of one-shot that is placed over another shot.
Montage: IS a series of quickly connected shots that combine individual shots through a theme or through time to create a third meaning.
https://www.empireonline.com/movies/features/film-studies-101-camera-shots-styles/
Composition
Guideline composition
Guiding line composition allows us to find lines and try to Orient them to the point we want to express.
Framing composition
Framing tells us to look for various “frames” to enhance the theme and get a good result.
Central composition
Put the subject you want to express in the center of the picture to achieve a more prominent theme and a strong sense of balance.
Diagonal composition
Let the structure of the elements be distributed diagonally to get a more dynamic picture.
Show if the character is strong by comparing the size of the character.
The camera moves.
The camera moves with the character completely evenly in speed and direction. The character stops, the camera stops, the character moves, the camera moves. And movement is everywhere.
This approach locks you into moving in an effective way in the character’s behavior
The truth about anger is speed. Emotions are expressed in the body.